Photographing Mirages

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Author Tim Herd

 

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Order autographed copies from the author by sending a check for $26 each (shipping and handling in the USA included) to Tim Herd, 2572 Mountain Road, Bath, PA 18014.

 

 

© Tim Herd

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A superior mirage displaces images upward and includes at least one portion that is inverted. On a superior day in May in southwest Finland, a warm land breeze flows over the cold sea surface while a freighter tends to business as usual, and a viewer from the shore sees its hull replicated upside down. Equipment: 400 mm lens with a 2.0 extender; cropped from the original. Pekka Parviainen

 

The mirage is a true thing: a distorted image of real objects caused by light refracting through the air. At times, when the vertical temperature profile of the air near the surface (and therefore its density) develops sharp differences over short distances, light may bend significantly along its pathway to our eyes, distorting what we see.

 

Compared to the expanse of the sky, mirages are tiny. They are normally seen near the horizon, and show image displacements of less than one-half a one degree (which is about the same angular widths of both the Sun and Moon in the sky.) For more information on locating mirages, click on the Observing Primer link to the left.

 

Equipment. SLR 35 mm camera, tripod, shutter cable release, 200 or 400 ISO film. For best results, a telephoto lens of 500mm or longer helps to isolate the mirage, and a polarizing filter reduces haze and increases the contrast. Digital cameras with digital zoom extend the power of the telephoto position of the mechanical optical zoom, but do so by interpolating the image with an overall loss of quality, and may not result in the quality you’re hoping for.

 

Composure. Try to fill as much of the frame as possible with the mirage itself. Avoid including extra scenery that merely minimizes and distracts from the dramatic imagery. Experiment with different camera heights, especially with low angles just above the ground, as changes in elevation as little as a few feet can make a great difference in the curving pathways of the light to the lens.

 

Technique. Keep exposures short, and according to your light meter, since any camera motion—as well as shimmering from any air turbulence—is magnified through the telephoto lens along with the view. © Tim Herd

 

While mirages can appear anywhere in the world, a motor convoy is engulfed by the overwhelming sky in the Great Selma Sand Sheet, a flat sandy plain of some 15,000 square miles spanning the Egypt-Sudan border. Strong heating of the sand grills a layer of hot air at the surface that cools rapidly with height, creating inverted images of the land Cruisers beneath them and bending skylight downward in an inferior mirage in the desert in March 2003. Abed Wael